The message that actually travels.

One purpose-built stage on Floor 8 — Horizon — wired to a control room, an in-house edit team and a producer who has run the call before. Two minutes from the ECB, on the same fibre as Deutsche Börse.

Horizon Stage 4K · Multi-cam Sat + Fibre uplink Floor 8

The brief

A studio that doesn't show up on camera.

The studio's job is to disappear. The CFO sounds clear, the CEO looks like themselves, the chyron lower-third matches your brand book to the kerning. Everything that gets in the way — cables, prompters, makeup chairs — lives in a dedicated tech corridor behind the wall.

Producer-led. Edit team in-house. Captions, transcripts, brand-safe redaction and per-channel cuts (LinkedIn, X, Bloomberg embed) shipped within the hour.

StageHorizon
UplinkSat + Fibre
EditIn-house
Notice48 hr
Where Broadcast fits at Junghof

Three categories. Distinct intents.

Junghof runs all three. Meetings decide. Events stage moments. Broadcast moves content — to audiences who weren't in the room and never needed to be.

01 / Meetings

Decisions

Boardroom, strategy day, executive workshop. The room is the medium.

02 / Events

Inszenierung

Launches, award nights, conferences. Audience in the room.

03 / Broadcast

Reach

Live, hybrid, podcast, recorded. The camera is the room.

Six use cases

Pick the broadcast. We build the room.

01 — 06

Three stages · Floors 7 + 8

The Horizon stack.

A broadcast-grade stage, a podcast series room and the control gallery that runs them — wired together, run by one producer, billed as one engagement.

Horizon Stage · Floor 8 Horizon Stage — broadcast-grade studio on Floor 8 with LED back-wall.
Stage 01 · The Broadcast Stage

Horizon.

4-cam · LED back-wall · Anchor desk + standing presenter set · Sat + fibre uplink

Built for the call regulators tune in to — and re-configurable in an afternoon for the recurring podcast, leadership video essay, or town hall. Anchor desk, second presenter set, four-camera mix to a single line cut. Sat uplink, fibre uplink, fallback ISDN voice line.

  • Bloomberg, Reuters and LSEG-compatible feeds
  • On-floor compliance officer for embargoed materials
  • Same-day captioned transcript and per-channel cuts (LinkedIn, X, Bloomberg embed)
  • Hybrid mode wires The Forum on Floor 7 into the same control room for town halls
Podcast Studio · Floor 7 Podcast Studio — series production room on Floor 7, anchor desk and acoustic treatment.
Stage 02 · The Series Room

Podcast Studio.

3-cam · Anchor desk for four · Acoustic-treated · Same-day cuts

A smaller, faster room scoped for the recurring series, the CEO video essay and the 30-minute interview. Acoustic-treated, three cameras, anchor desk for four — plus a couch corner for the longer conversation. Shares the control room with Horizon, so the same producer carries the brief.

  • Acoustic-treated walls, neutral lighting grid
  • Anchor desk for four, couch corner for longer interviews
  • Single producer can run two formats in a day
  • Cuts shipped within the hour — LinkedIn, YouTube, Spotify-ready
Control Gallery · Floor 7 Control Gallery — multi-camera vision mix and uplink encoders.
Stage 03 · The Engine Room

Control Gallery.

Vision mix · 4K master · Live captioning · Hybrid wiring

The control gallery sits behind both broadcast stages. Four-source vision mix, live captioning, on-screen Q&A moderation, four-way uplink redundancy, and a small client viewing room with the same line feed the regulator sees.

  • Four-source vision mix, switcher + EVS replay
  • Sat + fibre + 5G failover; ISDN fallback for voice
  • Live caption / interpretation in DE / EN / FR
  • Client viewing room with the line cut on-screen
The setup

Camera-first. Always.

A broadcast room is not an event room with a camera bolted on. The geometry, lighting, audio envelope and signal path at Horizon are designed for the lens — LED, audience and scenography are optional, not assumed.

Critical

Camera

4 broadcast bodies, PTZ + handheld. Director feed.

Critical

Sound

Lavalier, boundary, broadcast mix bus. Regulator-grade.

Critical

Light

Key, fill, hair, ambient. Designed for the lens, not the eye.

Optional

LED

Architecture wall or backdrop. For brand-grade scenography.

Optional

Audience

In-room guests for hybrid mode. The Forum on Floor 7 wires in.

Same room. Different stack. Engineered for what each output demands.

Kompetenz · Stagecraft

Who runs the room. In-house.

Cameras, mix bus, lighting plot, LED architecture — none of this works as a rental. Behind every Horizon production is a resident stagecraft team: technical directors, producers, engineers and designers who treat each shoot as a production, not a setup.

01 / Direction

Technical Director

Calls the show, owns the run-of-day, decides the look. One named TD per production.

02 / Production

Producers & Regie

Multi-camera regie, vision mixing, live graphics, replay. The director's chair, staffed weekly.

03 / Engineering

Audio · Light · LED

Broadcast-grade signal path. Lighting designed for the lens. LED rigging owned by the team that runs it.

04 / Design

Set & Scenography

Brand-grade scenography, on-screen graphics, lower thirds, set design. Room and feed share one visual language.

Why a recurring slot

Content is a flywheel, not a campaign.

Most Junghof teams come for an earnings call and stay for the series. A monthly slot in our podcast studio costs less than two flights to a conference — and ships ten times the audience.

×4

Output per shoot

One content day produces the long-form, the social cut-downs, the snippets and the stills. One day, a quarter of feed.

12×

Recurring per year

Monthly podcast retainer. Same studio, same crew, same time-slot. Calendar-grade reliability.

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Replay turnaround

Live broadcast available for replay within an hour. Edited cuts within one working day.

Also at Junghof

More at this location.

A broadcast usually pulls a meeting and a dinner with it. Same producer; one bill.

Broadcast · across SPARK

Broadcast elsewhere.

Same control room logic. Same producer team. Different cities.

Begin a production

Tell us what the message has to do.

A producer answers in one working day with a studio recommendation, a draft run-of-show and a clear total — including edit and distribution.